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  • "SURGING CLIMAXES WERE PASSIONATELY RENDERED"
    The New York Times
  • "CRYSTALLINE CLARITY, A DEFT TOUCH, AND HIGHLY EXPRESSIVE PLAYING"
    The Chattanooga News
  • "EVERY LINE, NO MATTER HOW VEHEMENT, ROUNDED OFF WITH APLOMB"
    The Boston Globe
  • "DOWLING AND JIANG PLAYED THE SOLO PARTS WITH RHYTHMIC VERVE"
    The Telegraph
  • "QING JIANG [IS] A PERFORMER OF THE FIRST ORDER"
    The Chattanooga News
  • "THE DUO OFFERED VIRTUOSITY IN EVERY MEASURE [OF KIRCHNER DUO II]"
    The Boston Classical Reviews
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MEET QING JIANG 

LONG BIO | REPERTOIRE PRESS PHOTOS

Praised for “spirited” (Boston Globe) performances that are “vigorous and passionate” (New York Times), Qing Jiang has emerged as a versatile musician who is equally known as a performer, teacher, and an advocate of contemporary music.  As a performer, she has appeared in Alice Tully Hall, Weill Hall, Jordan Hall, as well as the UK’s Snape Maltings Hall, and China’s Shenzhen Poly Theater. Jiang performed under legendary conductor and composer Oliver Knussen with the Britten-Pears Orchestra in England, as well as with the Lanzhou Symphony under revered Chinese conductor Zushan Bian. Highlights of the 23-24 season include “Dreamed Landscapes” CD tour in Germany, China, and New Zealand, recital tour with Cellist Natalie Clein, and artist residencies at Tianjin Juilliard in China and Victoria University of Wellington in New Zealand.

Passionate about chamber music, Jiang is a faculty artist member of the Kneisel Hall Festival in Maine, where she collaborates with many leading musicians and pedagogues. Jiang has maintained longstanding relationships with the Yellow Barn festival, appearing as both a faculty artist and fellow, and the Britten-Pears Festival where she performed in numerous chamber, solo, and contemporary settings. Other festival appearances include Music@Menlo, Ravinia’s Steans Institute, Interlochen, Garth Newel Music Center, the Perlman Music Program, and the Aspen festival where she was a winner of the concerto competition. As Duo ING, Jiang and violinist Ying Xue have collaborated closely for many years, appearing in Jordan Hall, Carnegie Hall, Yellow Barn, and elsewhere, and in 2016, Jiang performed on a six-city tour in China with esteemed chamber musicians Laurie Smukler, Natasha Brofsky, and Roger Tapping.

Versatile in style and interests, Qing has performed with the Britten-Pears contemporary ensemble, the New Juilliard ensemble, and the Aspen percussion ensemble. Jiang has worked directly with composers Brett Dean, Jennifer Higdon, Olive Knussen, Jörg Widmann, and Lei Liang to prepare performances of their works, and her debut album “Dreamed Landscapes” (Albany) features works by Thomas Adès and Daniel Temkin. Jiang wrote her doctoral thesis on Debussy’s seminal Etudes and their subsequent influence on virtuosic composing in the 20th & 21st centuries; she has given multiple performances of her “Debussy the Virtuoso” program, pairing Debussy’s etudes with those of Abrahamsen, Ligeti, Perle, Rakowski, and others, and she has premiered specific companion etudes by composer Zhou Tian, Eric Nathan, and Colin Mathews.

Born in Zhenjiang, China, Jiang began studying piano at age three with her mother.  As the first Chinese recipient of Jack Kent Cooke Arts Scholarship, she holds degrees from Arizona State University, Juilliard, and New England Conservatory. Her principal teachers include Caio Pagano, Robert McDonald, Wha Kyung Byun, Shuxing Zheng, and the late Patricia Zander.  Previously taught at New England Conservatory, the NEC Preparatory School, the Curtis Institute of Music, and the Yellow Barn Young Artist Program, Jiang currently is an Associate Professor of Music at Bucknell University. She lives in Lewisburg, Pennsylvania with her husband, Daniel, and their young daughter Kate.

Dec 2023

 

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UPCOMING EVENTS

click for past Events

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REVIEWS

Qing Jiang’s debut with Britten-Pears Orchestra under Maestro Oliver Knussen:

“This concert opened with a rare and exhilarating airing of Tabuh-Tabuhan…Katherine Dowling and Qing Jiang played the solo parts with rhythmic verve.” read more...  

– John Allison, The Telegraph

 

"The solo piano parts were played by Katherine Dowling and Qing Jiang, whose pungent motifs, repetitions and rhythmic explosions were lucid and full of bite. ”  read more... 

– Claire Seymour, Seen and Heard International

 

Qing Jiang’s debut with Chattanooga Symphony & Opera under Maestro Kayoko Dan:

“Tackling this monumental work (Rachmaninoff Variations on a Theme of Paganini) was the diminutive guest soloist, Qing Jiang. From the first notes, it was obvious from her dazzling technique and velvety touch why she already has amassed a long list of honors.” read more...

– Mel Wilhoit, Chattanooga News

 

Piano Trio from Juilliard in Alice Tully Hall:

“Pianist Qing Jiang…has exceptional talent for a woman of her age…” read more...

– Fred Kirshnit, The New York Sun

Qing Jiang returns to Chattanooga Symphony with Mozart D Minor Concerto:

 “Her performance was no less impressive. It was characterized by crystalline clarity, a deft touch, and highly expressive playing…The middle and final movements demonstrated Qing Jiang to be a performer of the first order as the musical demands ranged from delicate to athletic.. This was Mozart at its best. ” read more...

– Mel Wilhoit, Chattanooga News

 

QING JIANG FEATURED IN BRAHMS HORN TRIO AT YELLOW BARN FESTIVAL:

“Violinist Olga Caceanova, violist Roger Tapping, and pianist Qing Jiang made genial declamation of Brahms’s Op. 40 Trio, every line, no matter how vehement, rounded off with aplomb.” read more...

– Matthew Guerrieri, The Boston Globe

 

QING JIANG AND ANGELO XIANG YU @ FOUNDATION FOR CHINESE PERFORMING ARTS:

“Violinist Angelo Xiang Yu and pianist Qing Jiang presented high artistry Saturday evening in Jordan Hall…Jiang had real opportunity to shine and polish her mettle, again setting a tone, but now with whispery, tension-laden, rhythmically precise octaves…There were power, energy, and flawless ensemble.” read more...

– Jim McDonald, The Boston Musical Intelligencer

DUO ING @ CHRISTIAN TETZLAFF CARNEGIE HALL PROFESSIONAL WORKSHOP:

“surging climaxes were passionately rendered by these two fiery musicians, whose vigorous playing elicited sustained applause between movements.” read more...

– Vivien Schweitzer, The New York Times

Qing Jiang brings Mozart D Minor Concerto to Adrian Symphony Orchestra 

"Certainly A high point of the concert was the sparkling rendition of the Mozart concerto that came from Jiang. For one thing, Mozart just fits her like a glove. For another thing, she played this work...with absolute fearlessness and an impeccable, supple style." read more…

-Arlene Bachanov, The Daily Telegraph

 

QING JIANG APPEARS WITH THE CHAMELEON Arts ENSEMBLE OF Boston:

“the Chameleons played the American composer(Kirchner)’s Duo II, a tremendously demanding piece for violin and piano, bravely undertaken by Kurkowicz and pianist Qing Jiang. The duo offered virtuosity in every measure, with the work’s unusual juxtaposition of pitches, and almost random insertions of pizzicato and ponticello mid-phrase.” read more...

– Keith Powers, Boston Classical Reviews

“Jiang’s piano echoed and supported the mood of the violin, but as an independent voice.” read more... 

– Leon Golub, The Boston Musical Intelligencer

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MEDIA

 
 
 
 
 
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PUBLICATIONS

DOCTORAL DISSERTATION: Rethinking Virtuosity in Piano Études for the Early 20th Century - A Case study of Claude Debussy's Douze Études for Piano

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Rethinking Virtuosity in Piano Études for the Early 20th Century - A Case study of Claude Debussy's Douze Études for Piano No. 1

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“Lifelong Pursuits and Discoveries – Interview with the Esteemed Piano Pedagogue Wha Kyung Byun”

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CONTACT QING

 

For booking or personal inquiries, please email info@qingjiangpiano.com.